Chapter 7 - Calling Me Back
It is the 13th of July 2003, a bright sunny warm Sunday
morning which cannot be fully appreciated without suffering this
past week of southerly Wellington winter weather which included
what was heralded as the worst storm in 30 years, a storm which
lasted for 2 full days.
I woke up late, having decided not to attend group latihan
this morning since I was suffering from vertigo (left over from
the flu), especially when I closed my eyes and moved. Eventually
I made my way to the shower, was washing my hair, gripping the
top of the shower wall to keep my balance, and I stopped and stood
quietly in order to try Dr. Dyer's advice and manifest the banishment
of my vertigo by tapping into the life force and healing myself.
What actually happened was that a latihan began, very
strong, flowing over me and rippling through me. My calling out
to "Father, God" began to take on a popular tune and
I found myself singing, "Falling, yes I'm falling, and You
keep calling, me back again. Ai ai ai ai yai yai."; over
and over again (with apologies to The Beatles, both living and
dead, for the misquote, but that is how it came in my latihan).
Well, this clearly was huge; recognition of the fact that I had
moved so far away from God and that I was now being called, pulled
firmly and lovingly through this latihan, back to Him.
It is worth emphasizing here that I certainly had never left
completely, nor even seriously considered leaving. I just was
waiting, with not inconsiderable doubt and anger, for the explanation
(which was owed me! - see my spiritual foot tapping impatiently
on the floor) of why things are the less-than-satisfactory way
they are.
Huge as it was, it was only the beginning. I may not recall the
latihan's detail all in perfect order, but at some point
my renewed "Father, God" is replaced by the chanting
of a native American Indian medicine man, someone, perhaps a direct
ancestor, who I have met at least once before in my latihan.
He chants and dances, alone (except for me chanting with him and
drumming on the shower wall with a haunting beat), grieving for
the end of his people, the end of the wisdom and glory that are
contained in their civilization. Together we chant and grieve
and cry, so hard that I feel my chest will burst, and when I think
I can stand it no longer it subsides and leaves me gasping and
panting, sobs slowly ebbing away. I am at once grateful for the
sharing of the experience and for the relief from the unbearable
sadness.
And then my voice becomes high pitched, nasal, and I am singing
in what I have come to think of as my 'oriental latihan'
voice.
After a few minutes, this dwindles, changes and I suddenly find
that I am almost chanting again, but not at all the same, something
I do not recognize at first since I have never done it before,
shouting in a husky, deep and masculine voice which makes me in
the back of my mind very glad that my house is alone up on a hill
so that no one will hear me. I am now pounding on myself instead
of the shower wall and realize that it is a Haka, a war
dance of the Maori, the Polynesian people who are native
to New Zealand. I am with a lone Maori man, high on a
bluff overlooking the sea. It is so real that were I to fly the
coastline of New Zealand in a helicopter I have no doubt that
I could find the exact spot. The Haka too, quickly takes
on the character of a grieving wailing lament for all that has
been lost, and in the end takes on a very feminine quality as
well. And again, when I feel that I cannot bear much more, it
subsides, exactly as the first lament had done, into panting and
sobbing. I return to my shower and wonder at the amount of hot
water that I am using and what will happen if I leave the dandruff
shampoo in my hair too long.
The latihan continues and as the water flows over my body
I simultaneously can see and feel the flowing over rocks, of water
in the Waikanai River, the source of the water for my shower.
I take a moment to express gratitude that it has been heated
along the way to my tap.
Suddenly it happens. I am aware of how the latihan is
transcending space and time, how it is that I can join with these
people in other places, even other times, how it is that I can
experience the River, perhaps five miles from where I stand.
It all becomes clear, like a great light shining into my being,
that I can experience all these things because I am connected
to them, directly, by this ocean of Life Force, Universal Intelligence,
Allah, God, Aba (Father in Hebrew), whatever you
choose to call it. It is in me, and it is in all times and all
places, in all that exists or ever has existed. In a very real
sense, I am all of these things and so I can have this direct
experience of them, whatever whoever whenever they may be.
I remembered someone telling me of being tested by Bapak with
a group of members, "Show me what it is like to be a German
housewife" and I had wondered at this marvel, this mysterious
magic of the latihan that one could feel like a German
housewife, cleaning her home, cooking for her family. And I remembered
reading what Bapak said, that he knew all the martial arts, but
never had studied any of them. They were just a knowledge that
he had through the latihan. And suddenly it all made sense;
how one could know and understand and feel these things, any thing.
It is because it is all connected, all - from quanta to quasars,
rock, water, fire, amoeba and men, all woven of the same fabric.
The brightness and awareness of it shattered everything which
has gone before in my life. I could only pray, over and over
again, "please keep this before me forever", "please
never let me forget even for a moment", "keep this before
my eyes, keep this before my eyes". And then it came to
me in a small jolt, ketotefote beyn eynayim "like
totefote between the eyes". The phrase as it came
to me is modern Hebrew and I believe that the word totefote
has never really been properly translated or understood. But
now the instruction of God to the Jews known as the Shema
took on a much fuller meaning for me. We are to say it twice
every day. It begins "Shema Yisrael":